Finding the ideal set of headphones for your needs when purchasing a pair to use in a studio might help you take your production to the next level. Closed-back headphones are best for live studio recording because they allow you to listen to the recording without sound seeping into the microphone. On the other hand, since they can be more comfortable after a long day in the studio, many sound engineers may favor more roomy and immersive open-back headphones for mixing. To offer you adequate range to roam around the studio, the best studio headphones frequently contain a coiled cord.
HD 681 Superlux
The greatest cheap studio headphones we’ve tested are the Superlux HD 681. There aren’t many options for open-back headphones at this pricing bracket. The Superlux is one of several of them that has a fragile, plasticky structure and doesn’t feel very robust. These over-ears are worth taking into consideration, though, if you don’t mind compromising a little. Compared to typical open-back headphones, they have a semi-open-back construction, which means they leak less audio. Also, compared to most closed-back headphones, it aids in the creation of a passive soundstage that is more expansive and immersive. It isn’t as roomy as true open-back headphones like the Beyerdynamic DT 990 PRO, though.
They are appropriate for most genres and types of entertainment since they are cozy and have a generally neutral sound profile. Vocals and lead instruments are precise and clear because to their extremely flat mid-range response. Some people may appreciate this sound for studio work despite the somewhat overemphasized treble giving them a little harsh sound because it helps to highlight flaws in songs and highlight details. Those who have thick hair or wear glasses may notice a decrease in bass because these factors can cause the ear cups to no longer seal to your skull.
DT 990 PRO by Beyerdynamic
The Beyerdynamic DT 990 PRO are the top lower mid-range open-back studio headphones we’ve evaluated. Planar magnetic headphones are less common at this price point than dynamic drivers. They can produce more overall bass even if their soundstage isn’t as big, open, or out-of-head as the HiFiMan Edition XS. Their sound is less neutral and more energetic, which can affect the accuracy of your mixes and be a deal-breaker.
These over-ear headphones fit comfortably and are well-made. But, because their audio wire is a part of their design, you’ll need to buy a new device if it is destroyed. The Beyerdynamic DT 900 PRO X should be taken into consideration if you’re seeking for closed-back headphones with detachable audio wires. These cost a little more but are equally as cozy, well-made, and come with two pairs of audio wires. Although its treble is more recessed, their sound is less boomy and has weaker singers, instruments, and slightly dull sibilants.
XS HiFiMan Edition
Searching for a more inexpensive option? Consider the HiFiMan Edition XS. The expansive, open, and natural soundstage that you can anticipate from them—the second pair of planar magnetic headphones on this list—will be ideal for mixing and mastering. Nevertheless, they don’t have the same design as the HiFiMan Arya. The conventional headband design of these headphones makes them uncomfortable for extended listening sessions. Because to the cheap-feeling plastic used for its hinges, their construction quality is also subpar. Planar magnetics, on the other hand, offer equivalent performance at a lesser price point if you don’t want to spend top dollar.
They are adaptable for many genres thanks to their neutral sound profile. Sibilants like cymbals are bright without being piercing, whereas they reproduce vocals and instruments that are present and clear. Although being huge, the ear cups reliably produce audio in all seats. Nonetheless, their construction is heavy and clumsy.
Arya HiFiMan
The greatest upper mid-range open-back studio headphones we’ve tested are the HiFiMan Arya. If you want to create an immersive passive soundstage for mixing, planar magnetic headphones might be a better choice. Its soundstage appears natural, broad, and spacious because they have huge drivers that are better suited to depict the stereo image. They are, however, much heavier and larger than the Sennheiser HD 800 S. Also, they don’t seem as premium for their price range. They are worthwhile for combining, though, assuming that’s not a problem.
These over-ears have an exceptionally neutral sound signature with a hint of extra brightness, which can assist highlight flaws in your mixes. Vocals and instruments reproduce clearly since the mids are also well-balanced. They can evenly distribute their weight on your head due to its ski-band headband design, allowing you to listen for extended periods of time without feeling uncomfortable.
The Arya has been reissued by this maker with minor modifications. The manufacturer claims that the Stealth Magnets in this model, also known as the Arya V3, would enhance sound quality by lowering distortion and raising transparency. The V2 model, which lacks this look but is still offered on the maker’s website, is the one we tested. The V3 model hasn’t yet been put to the test, therefore there might be performance variations.
Conclusion
The studio headphones we suggest above are the ones we believe are currently the best for the majority of consumers in each price category. We take into account availability, visitor comments, and price (cheaper headphones prevail over more expensive ones if the price difference isn’t significant) (no headphones that are difficult to find or almost out of stock everywhere).
Here is a list of the headphones we reviewed that are good for neutral sound if you want to make your own decision. Avoid getting sucked into the details. There are no headphones that are ideal. Your choice will be more influenced by your own preferences, tastes, and listening styles.
